The New York Times – Film:
Keke Palmer plays a shoplifter who sells high-end clothing at a deep discount in Boots Riley’s polychromatic new film.
The New York Times – Film:
Keke Palmer plays a shoplifter who sells high-end clothing at a deep discount in Boots Riley’s polychromatic new film.
The New York Times – Film:
Keke Palmer plays a shoplifter who sells high-end clothing at a deep discount in Boots Riley’s polychromatic new film.
The New York Times – Film:
This surreal satire blends anthropomorphic charm with existential dread to critique capitalism, though its meta-commentary leaves some haunting questions frustratingly unanswered.
The New York Times – Film:
The film that’s been adapted into a new musical created a memorable aesthetic with its cast and outfits. Its ideas about the nuclear family also made it a movie for its time.
The New York Times – Film:
The 2006 comedy is filled with moments big and small that have stood the test of time, thanks in no small part to Meryl Streep’s turn as Miranda Priestly.
The New York Times – Film:
In new projects, the British actor of South Asian descent takes on two parts — James Bond and Hamlet — that have long been defining roles for white actors.
The New York Times – Film:
Teyana Taylor’s character of Perfidia Beverly Hills is the most radical part of Paul Thomas Anderson’s Oscar-winning movie.
The New York Times – Film:
Mamoru Hosoda’s animated film about a fierce princess is a genderbent fantasy version of “Hamlet.”
The New York Times – Film:
The Emmy-winning actress was especially adept at playing women who had been cast off but maintained an inflated sense of self, always with a great comedic payoff.