The New York Times – Film:
In new projects, the British actor of South Asian descent takes on two parts — James Bond and Hamlet — that have long been defining roles for white actors.
The New York Times – Film:
In new projects, the British actor of South Asian descent takes on two parts — James Bond and Hamlet — that have long been defining roles for white actors.
The New York Times – Film:
Teyana Taylor’s character of Perfidia Beverly Hills is the most radical part of Paul Thomas Anderson’s Oscar-winning movie.
The New York Times – Film:
Mamoru Hosoda’s animated film about a fierce princess is a genderbent fantasy version of “Hamlet.”
The New York Times – Film:
The Emmy-winning actress was especially adept at playing women who had been cast off but maintained an inflated sense of self, always with a great comedic payoff.
The New York Times – Film:
By condensing the logic of the action, this anime adaptation of Hiroshi Sakurazaka’s light novel undermines the story’s excitement.
The New York Times – Film:
The medium has been bigger than niche for a long time. That became apparent to everyone in 2025.
The New York Times – Film:
Yes, “KPop Demon Hunters” makes the list. But that was just one of the standouts in a great year.
The New York Times – Film:
The Pixar Era kicked off 30 years ago with the first installment of the popular franchise. It’s given us countless hits, but something has also been lost.
The New York Times – Film:
“Eddington,” “One Battle After Another” and “After the Hunt” focus on young characters navigating the current political climate. The depictions aren’t always flattering.