The New York Times – Film:
She always had concerns about the happily-ever-after ideals of the genre. Now as a director she’s pushing its boundaries to examine issues of aging and regret.
Author: Melena Ryzik
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Kitty Green on ‘The Assistant’ and ‘The Royal Hotel’
The New York Times – Film:
Kitty Green’s movies, “The Assistant” and now “The Royal Hotel,” address gender dynamics in familiar, but menacing, environments.
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Cher on Her First Christmas LP, a New Beau and 25 Years of ‘Believe’
The New York Times – Music:
The superstar talks about finding her recording voice again, getting Stevie Wonder (and Tyga) to appear on her holiday album and still finding the love for her hits.
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‘Killers of the Flower Moon’ and Scorsese’s Bride Like No Other
The New York Times – Film:
Martin Scorsese’s epic drama about killings in Osage territory in the 1920s showcases the unparalleled wedding wear and culture of the tribe.
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‘Bottoms’ and the Tricky Tone of a Horror-Indie-Drama-Action-Teen-Sex Comedy
The New York Times – Film:
The director Emma Seligman took a big leap from her buzzy feature debut, “Shiva Baby.” But this is the film she wanted to make all along.
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Justin Simien on Releasing ‘Haunted Mansion’ in the Midst of a Strike
The New York Times – Film:
The director found himself alone on the promotional tour because his stars couldn’t take part. Still, as a writer, he’s made connections on the picket line.
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Secret No More: Louis Armstrong Center Amplifies Satchmo’s Vision
The New York Times – Music:
New jazz and exhibition spaces, and an inaugural show curated by Jason Moran, feature the trumpeter’s ‘wonderful world’ in full, collaged onto the walls.
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For Filipino Audiences, ‘Here Lies Love’ Offers Emotional Rip Currents
The New York Times – Music:
For viewers as well as the all-Filipino cast, the musical about the Marcoses’ rise to power is a rare chance to commune, and revisit, together, a not-too-distant past.