The New York Times – Film:
In this moody epistolary film, a woman in Paris works through a close friend’s death with the help of video correspondences.
The New York Times – Film:
In this moody epistolary film, a woman in Paris works through a close friend’s death with the help of video correspondences.
The New York Times – Film:
Three films showing at the Tribeca Festival tell stories over several years, a challenge for the filmmakers and the subjects.
The New York Times – Film:
This refreshingly grounded French crime procedural portrays what happens when a brutal murder case eludes the diligent efforts of a by-the-book investigator.
The New York Times – Film:
A hapless man who barely speaks becomes a movie star in Charlie Day’s scattershot Hollywood satire.
The New York Times – Film:
This big-hearted, blithely odd adventure pits a troupe of superpowered circus folk against a psychic Nazi pianist.
The New York Times – Film:
In this quietly bold debut feature, the Japanese government offers a euthanasia program and a 78-year-old woman considers her future.
The New York Times – Film:
The filmmakers and cast of “How to Blow Up a Pipeline” explain what it took to quickly, but precisely, put together their indie tale of sabotage.
The New York Times – Film:
This eye-opening film from Verena Paravel and Lucien Castaing-Taylor immerses us in the landscapes and textures of the human body, as encountered in French hospitals.
The New York Times – Film:
Sensitive and surprising, Reed Harkness’s documentary follows the reverberations in his family after their mother abruptly departs.