The New York Times – Music:
The Philadelphia Orchestra paired Sorey’s “For Marilyn Crispell” with Bruckner’s Third Symphony, an unusual bill that flattered both composers.
The New York Times – Music:
The Philadelphia Orchestra paired Sorey’s “For Marilyn Crispell” with Bruckner’s Third Symphony, an unusual bill that flattered both composers.
The New York Times – Music:
George Lewis’s new piece brought in the percussion and piano quartet Yarn/Wire, in an evening that also featured the soprano Golda Schultz.
The New York Times – Music:
Recent performances by the Orchestra of St. Luke’s and the Philadelphia Orchestra offered music by Duke Ellington and John Adams.
The New York Times – Music:
Erich Wolfgang Korngold’s “The Silent Serenade,” written in the 1940s, was given its English-language, United States premiere by Mannes Opera.
The New York Times – Music:
Recent stagings of classics like “La Traviata” and rarities like “Intermezzo” are among the highlights.
The New York Times – Music:
With new releases and concerts, Anthony Braxton’s output as an artist and thinker is quickly available for longtime fans and initiates alike.
The New York Times – Music:
Anthony Davis has written operas based on recent history. But now he is adapting, and dramatically changing, Wharton’s 1912 novel “The Reef.”
The New York Times – Music:
Terence Blanchard and Anthony Davis, recent pioneers at the Metropolitan Opera, returned to earlier works in a pair of performances over the weekend.
The New York Times – Music:
This selection of works, available to rent and purchase, features some of today’s boldest directors and greatest vocal talents.