The New York Times – Music:
The festival circuit may be getting underway but the city offers fine fare with programs of work by Sarah Kirkland Snider and Adegoke Steve Colson.
The New York Times – Music:
The festival circuit may be getting underway but the city offers fine fare with programs of work by Sarah Kirkland Snider and Adegoke Steve Colson.
The New York Times – Music:
At Roulette, the composer and his ensemble performed a pair of multimedia sets based on a single composition.
The New York Times – Music:
With a new production of Anthony Davis’s pathbreaking Malcolm X opera opening in Detroit, we are on the cusp of a broader reappraisal of his work.
The New York Times – Music:
A group of artists are reimagining the 1959 album “The Shape of Jazz to Come” for Bang on a Can’s Long Play festival.
The New York Times – Music:
Jaromir Weinberger’s “Schwanda the Bagpiper” has been given a persuasive new production by the Komische Oper in Berlin.
The New York Times – Music:
At Carnegie Hall, the American Symphony Orchestra and Leon Botstein made a case for Duke Ellington works still rarely heard from classical ensembles.
The New York Times – Music:
The breakthrough Minimalist, not known for making albums, has at last put out an authorized recording of his 64-year-old “Trio for Strings.”
The New York Times – Music:
The pianist and composer Eric Wubbels’s work has achieved new heights in an album of collaborations with two younger artists.
The New York Times – Music:
Lara Downes’s latest album, “Reflections: Scott Joplin Reconsidered,” is inspired by the fact that Joplin’s achievement remains fuzzy to many.