The New York Times – Film:
The German-language movie received 14 nods and will compete for best film against the likes of “Everything Everywhere All at Once” and “The Banshees of Inisherin.”
Category: Blanchett, Cate
-
Our Predictions for the Oscar Nominees in Six top Categories
The New York Times – Film:
It’s an unusually wide open year for the Academy Awards. But our expert has a good idea about what will make the cut. Here are his projections.
-
Looking a Little Weird on the Red Carpet at the Critics’ Choice Awards
The New York Times – Fashion & Style:
The best fashion at the Critics’ Choice Awards had an element of surprise.
-
Kevin Costner Couldn’t Get His Golden Globe Due to California Storms
The New York Times – Film:
While some could not attend, citing conflicts, Kevin Costner was kept from the ceremony by the severe weather in California.
-
One Indelible Scene: the Master Class in Ambiguity in ‘Tár’
The New York Times – Music:
Cate Blanchett’s character visits Juilliard to tackle the big questions about art, life and music-world rivalry.
-
Breaking Out of the #MeToo Movie Formula
The New York Times – Film:
How “Women Talking” and “Tár” make the discourse around the movement feel thrillingly unfamiliar.
-
Inside the Oscars’ Best-Actress Battle Royale
The New York Times – Film:
Forget the men: A banner crop of leading ladies, including Michelle Yeoh and Cate Blanchett, rule the Oscars’ deepest and most dynamic race.
-
Mahler’s Having a Moment. He’s Got Lydia Tár to Thank for It.
The New York Times – Music:
The Austrian composer’s Symphony No. 5 is the obsession of the conductor played by Cate Blanchett — and of the fans of her latest film.