The New York Times – Music:
The Austrian composer’s Symphony No. 5 is the obsession of the conductor played by Cate Blanchett — and of the fans of her latest film.
The New York Times – Music:
The Austrian composer’s Symphony No. 5 is the obsession of the conductor played by Cate Blanchett — and of the fans of her latest film.
The New York Times – Music:
Sophie Kauer was a cellist studying for a degree when a friend urged her to audition for “Tár.” She watched Michael Caine videos on acting and dove right in.
The New York Times – Music:
The film’s thesis is blunt: Put a woman in power, and she’ll be as sexually inappropriate and badly behaved as any man.
The New York Times – Film:
Cate Blanchett stars as a world-famous conductor heading for a fall in Todd Field’s chilly, timely backstage drama.
The New York Times – Film:
In “Tár,” “Showing Up” and other selections, the annual event makes the case for big-screen aesthetics and large-scale ambitions.
The New York Times – Film:
“Women Talking,” women fighting, a pair of Brendans and more: After Toronto, Venice and Telluride, here are the titles and performances in the conversation.
The New York Times – Fashion & Style:
On the 45th anniversary of Sherman’s acclaimed series “Untitled Film Stills,” they toured her show, discussing what an image, or a smile, may reveal.