The New York Times – Music:
The Philharmonic’s maestro ends his tenure, Igor Levit comes to Carnegie Hall, and the Metropolitan Opera takes a chance on reviving two recent hits.
The New York Times – Music:
The Philharmonic’s maestro ends his tenure, Igor Levit comes to Carnegie Hall, and the Metropolitan Opera takes a chance on reviving two recent hits.
The New York Times – Music:
Pavel Kolesnikov and Samson Tsoy, partners onstage and off, began to play as a duo in school. Now, they are dedicating their careers to it.
The New York Times – Music:
Pavel Kolesnikov and Samson Tsoy, partners onstage and off, began to play as a duo in school. Now, they are dedicating their careers to it.
The New York Times – Music:
In his debut on the main Carnegie stage, Olafsson gave a spectacular reading of Bach’s “Goldberg” Variations.
The New York Times – Music:
Our critics choose highlights, including concerts featuring Mitsuko Uchida as a Perspectives artist and Gabriela Ortiz as the hall’s composer in residence.
The New York Times – Music:
The orchestra, under Andris Nelsons, gave a clear and controlled concert performance of Shostakovich’s crushing opera at Carnegie Hall.
The New York Times – Music:
With neither encores nor speeches, this ensemble presented a subtly clever, cogent and complete pair of concerts at Carnegie Hall.
The New York Times – Music:
Franz Welser-Möst, the Cleveland Orchestra’s music director since 2002, is beginning to wind down his career.