The New York Times – Music:
A protégé of the saxophonist Ornette Coleman, he borrowed from and greatly influenced styles like funk, punk, jazz and the blues.
The New York Times – Music:
A protégé of the saxophonist Ornette Coleman, he borrowed from and greatly influenced styles like funk, punk, jazz and the blues.
The New York Times – Music:
An accomplished jazz guitarist, he appeared on more than 300 episodes of the public television show, playing alongside musicians like Wynton Marsalis and Yo-Yo Ma.
The New York Times – Fashion & Style:
Self-taught, he became a go-to portraitist for politicians, rock stars and other celebrities. He also documented Indigenous people and inmates on death row.
The New York Times – Film:
A go-to designer for directors like Bob Fosse and Paul Mazursky, he won two Oscars and created Olivia Newton-John’s indelibly sultry ensemble in “Grease.”
The New York Times – Film:
The British actor was a mainstay of influential television shows who first found fame as a Nescafe pitchman.
The New York Times – Music:
He had never produced a performance when he was hired as the company’s general director in 1983. But over 31 years (and lots of Wagner) he became beloved.
The New York Times – Music:
He quit singing in his early 20s when opera companies objected to his appearance, but after a 12-year absence he revived his career to acclaim.
The New York Times – Music:
A music executive with longstanding ties to the Jackson family, he worked to make Janet a star and Michael a posthumous commercial powerhouse.
The New York Times – Music:
He was admired for impassioned duets with singers like Roberta Flack and Celine Dion and for the Disney hits “Beauty and the Beast” and “A Whole New World.”