The New York Times – Sports:
Known as the Mad Bomber for his powerful arm, he led the Oakland Raiders to the Super Bowl and was among pro football’s top passers in the late 1960s and early ’70s.
The New York Times – Sports:
Known as the Mad Bomber for his powerful arm, he led the Oakland Raiders to the Super Bowl and was among pro football’s top passers in the late 1960s and early ’70s.
The New York Times – Film:
He changed the nature of Asian martial arts movies, which had been relying on sword fighting and fantasy, by bringing hand-to-hand combat to the fore.
The New York Times – Music:
American-born and Paris-based since he was 13, he performed on both sides of the Atlantic, winning acclaim specializing in Germanic repertory.
The New York Times – Music:
Preferring the stage (and an office chair) to the recording studio, he enthralled audiences with ruminative performances that evoked the otherworldly.
The New York Times – Music:
The one-time graffiti artist and New York D.J. for Hot 97 was known for breaking artists and stoking beefs that gave fuel to the careers of Nas, Jay-Z, 50 Cent and more.
The New York Times – Music:
His labyrinthine, theatrical works placed him in the first rank of 20th-century English composers, though his music was often tagged as “difficult.”
The New York Times – Music:
He arrived on the Greenwich Village folk scene in the mid-1960s and drew comparisons to Dylan. But he left the music business not long after.
The New York Times – Music:
As the founder of the independent label Specialty Records, he helped set the table for the rock ’n’ roll era by signing performers like Little Richard.
The New York Times – Sports:
He won several tournaments before losing an arm when he walked into the propeller of a small plane. After he recovered, he taught himself to play golf one-handed.