The New York Times – Music:
She captured the radiant chaos at New York City clubs like CBGB in the 1970s, when bands like the Ramones, Blondie and the Patti Smith Group were emerging.
The New York Times – Music:
She captured the radiant chaos at New York City clubs like CBGB in the 1970s, when bands like the Ramones, Blondie and the Patti Smith Group were emerging.
The New York Times – Film:
He worked on 13 Francis Ford Coppola films, including “The Godfather” trilogy and “Apocalypse Now,” and recreated the Las Vegas Strip for “One From the Heart.”
The New York Times – Music:
Mr. Coe, who wrote “Take This Job and Shove It” and other chart-topping hits, was a transgressive exponent of the outlaw country movement of the 1970s and ’80s.
The New York Times – Fashion & Style:
Modern Love in miniature, featuring reader-submitted stories of no more than 100 words.
The New York Times – Music:
With towering hairdos and perfect harmonies, she and her cousins Ronnie and Estelle brought a fresh edge to the girl-group sound in hits like “Be My Baby.”
The New York Times – Film:
“The Official Story,” set during Argentina’s brutal military dictatorship, won the country its first Academy Award for best foreign language film, in 1986.
The New York Times – Music:
A top Nashville musician, he played for Bob Dylan and on “Oh, Pretty Woman” and “Jolene,” and was in the country-rock groups Area Code 615 and Barefoot Jerry.
The New York Times – Fashion & Style:
An austere lifestyle allowed her to make epic collages and Joseph Cornell-like contraptions that told stories about art history and her place in — and outside — it.
The New York Times – Music:
Influenced by Indian raga and nontraditional tuning systems, he created hypnotic works with a spiritual bent and created an unconventional piano.