The New York Times – Film:
In Japan, he was one of the first androgynous pop-culture stars and an inspirational figure. Abroad, he was known for his work in animated films by Hayao Miyazaki.
The New York Times – Film:
In Japan, he was one of the first androgynous pop-culture stars and an inspirational figure. Abroad, he was known for his work in animated films by Hayao Miyazaki.
The New York Times – Film:
In reviews and at festivals, he played a key role in introducing English-speaking audiences to directors like Wong Kar-wai, Jia Zhangke and Bong Joon Ho.
The New York Times – Film:
He appeared in more than 150 productions over a five-decade career but was perhaps best known for his star turn in the “Jurassic Park” series.
The New York Times – Film:
He appeared in more than 150 productions over a five-decade career but was perhaps best known for his star turn in the “Jurassic Park” series.
The New York Times – Music:
With a voice both weathered and operatic, she minted 1980s pop anthems like “Total Eclipse” and “Holding Out for a Hero.”
The New York Times – Film:
She began her screen career in Woody Allen movies (he was also her husband), but she was best known for her portrayal of the Ohio housewife in the pigtails and puffed sleeves.
The New York Times – Music:
A counterculture icon with broad appeal, he compared himself to Bob Dylan and developed an especially fervent following among working-class youth.
The New York Times – Music:
Often performing dressed as a helmeted police officer, he also co-wrote the group’s biggest hits, including “Y.M.C.A.” and “Macho Man.”
The New York Times – Music:
Willis, who often performed dressed as a helmeted police officer, co-wrote the group’s biggest hits including “Y.M.C.A” and “Macho Man.”