The New York Times – Music:
“Grounded,” a new work about the psychological toll of drone warfare, drew scrutiny after its presenter, Washington National Opera, advertised the support of a major military contractor.
The New York Times – Music:
“Grounded,” a new work about the psychological toll of drone warfare, drew scrutiny after its presenter, Washington National Opera, advertised the support of a major military contractor.
The New York Times – Music:
Yannick Nézet-Séguin, the company’s music director, and Peter Gelb, its leader, discuss presenting 17 new and recent works over the next five seasons.
The New York Times – Music:
The strong-willed singer, returning in “Tosca,” was long one of the Metropolitan Opera’s star sopranos. But in the past decade, her appearances have been rare.
The New York Times – Music:
François Girard’s staging, originally a co-production with the Bolshoi Theater, arrives a year after its Moscow premiere, which coincided with Russia’s invasion of Ukraine.
The New York Times – Music:
Facing tepid ticket sales, the company will withdraw up to $30 million from its endowment and stage more operas by living composers, which have been outselling the classics.
The New York Times – Music:
Hackers had left the Met, the largest performing arts organization in the United States, unable to sell tickets as it tries to recover from the pandemic.
The New York Times – Music:
After hackers knocked out the ticket-selling system of the Met, the largest performing arts organization in the United States, the company decided to sell $50 general admission seats.
The New York Times – Music:
A new adaptation is having its stage premiere at the Metropolitan Opera, featuring three star singers, Renée Fleming, Joyce DiDonato and Kelli O’Hara.