The New York Times – Music:
She sparred with avant-garde instrumentalists and used electronics to alter and extend her vocal palette. She was also at home in more conventional settings.
The New York Times – Music:
She sparred with avant-garde instrumentalists and used electronics to alter and extend her vocal palette. She was also at home in more conventional settings.
The New York Times – Music:
The British musician is an artist in residence at Winter Jazzfest in New York this week, playing an instrument group that he first picked up in 2019.
The New York Times – Music:
Linda Sharrock, an avant-garde jazz musician who became aphasic after a 2009 stroke, has returned to the stage and inspired new generations.
The New York Times – Music:
Brigitte Berman’s dazzling 1985 look at the self-taught virtuoso clarinetist and bandleader is showing after a restoration.
The New York Times – Music:
This label founded in 1971 gave Afrocentric and psychedelic jazz a home, and found a breakout hit with Gil Scott-Heron and Brian Jackson. Take a guided tour through its deep catalog.
The New York Times – Music:
He released more than 50 albums but had his greatest commercial success with “Compared to What,” a recording that came together at the last minute in 1969.
The New York Times – Music:
A master of the French horn, a rarity in jazz, he toured the world with the pianist Dwike Mitchell and taught music at Yale.
The New York Times – Music:
A veteran of 25 years with the Los Angeles Philharmonic, she was known as much for her eccentricities as for her exceptional musicianship.
The New York Times – Music:
When Brazilian musicians fused samba with jazz and classical influences in the 1950s and ’60s, he was among the first, and the best.