The New York Times – Music:
Umberto Giordano’s 1898 opera has struggled to win over modern audiences, but a production opening on Saturday aims to give it fresh appeal.
Category: Metropolitan Opera
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Pandemic Woes Lead Met Opera to Tap Endowment and Embrace New Work
The New York Times – Music:
Facing tepid ticket sales, the company will withdraw up to $30 million from its endowment and stage more operas by living composers, which have been outselling the classics.
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Review: ‘The Magic Flute’ Directs Its Whimsy Toward the Younger Set
The New York Times – Music:
Julie Taymor’s version of Mozart’s opera, a fairy tale of puppets and plexiglass, achieves its finest form in the Met’s condensed version for families.
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Met Opera’s Website and Box Office Are Back, 9 Days After Cyberattack
The New York Times – Music:
Hackers had left the Met, the largest performing arts organization in the United States, unable to sell tickets as it tries to recover from the pandemic.
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A Cyberattack Shuts the Met Opera’s Box Office, but the Show Goes On
The New York Times – Music:
After hackers knocked out the ticket-selling system of the Met, the largest performing arts organization in the United States, the company decided to sell $50 general admission seats.
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An Opera Company’s Precarious Future Has Some Worried About a Ripple Effect
The New York Times – Music:
For a month now, politicians, newspapers and classical music stars have been arguing over the future of English National Opera. A funding cut could have repercussions far beyond Britain.
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Met Opera, Reeling From Cyberattack, Will Sell Tickets on New Site
The New York Times – Music:
The company’s computer systems have been down for more than three days. It will now use a Lincoln Center website to offer $50 general admission seats to some performances.
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What It’s Like to Perform in the Met Opera’s ‘Aida’ With No Experience
The New York Times – Music:
Some of the company’s productions, like the recently opened “Aida,” require over a hundred additional actors. On opening night, I joined them.
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Review: The Met Opera’s Grand Old ‘Aida’ Isn’t Dead Yet
The New York Times – Music:
But opening night of the huge production’s final run, shakily cast, presented a show that seemed to be begging to retire.