The New York Times – Music:
But opening night of the huge production’s final run, shakily cast, presented a show that seemed to be begging to retire.
The New York Times – Music:
But opening night of the huge production’s final run, shakily cast, presented a show that seemed to be begging to retire.
The New York Times – Music:
Carlo Rizzi, a Met Opera regular sometimes taken for granted, opened the company’s season this fall and has juggled “Medea,” “Tosca” and “Don Carlo.”
The New York Times – Fashion & Style:
While creating the costumes for a new opera adaptation of “The Hours,” a designer found inspiration in archival wallpaper, an English farmhouse and 1990s Calvin Klein.
The New York Times – Music:
Kevin Puts and Greg Pierce’s new opera, conceived as a vehicle for the star soprano Renée Fleming, has its staged premiere at the Metropolitan Opera.
The New York Times – Music:
A new adaptation is having its stage premiere at the Metropolitan Opera, featuring three star singers, Renée Fleming, Joyce DiDonato and Kelli O’Hara.
The New York Times – Music:
Benjamin Bernheim’s arrival at the house was put off by the pandemic. Now singing in Verdi’s “Rigoletto,” he’s a natural fit there.
The New York Times – Music:
David McVicar’s staging from last season has returned, but in a four-act, Italian-language form. In this case, less is less.