The New York Times – Film:
A new series of adaptations, documentaries and more examines the different ways the composer-lyricist left his mark on movies.
The New York Times – Film:
A new series of adaptations, documentaries and more examines the different ways the composer-lyricist left his mark on movies.
The New York Times – Film:
This month’s picks are proof that it doesn’t take big bucks to scare people’s pants off with undead messiahs, unseen demons and uncanny commotions.
The New York Times – Film:
Will Packer, the producer of the telecast, said that Smith had been asked to leave after slapping Chris Rock, and then there were discussions of having him physically removed.
The New York Times – Film:
Judd Apatow’s new film is a comedy about actors trying to make a dinosaur movie during the pandemic that plays more like a documentary of actors trying to make a Covid comedy.
The New York Times – Film:
Alamo Drafthouse bought the seminal New York chain’s collection in an effort to make rentals a draw for moviegoers. Can one disrupted business help another?
The New York Times – Film:
Over a four-decade career, he was perhaps best known for his role on “The Sopranos.” But he also had dozens of film credits, including “Goodfellas” and “The Irishman.”
The New York Times – Film:
Jared Leto bares his teeth as a neo-vampire who walks by day and tries to keep his monstrous thirst at bay in the latest Marvel adaptation.
The New York Times – Film:
Richard Linklater’s new animated film tells the story of the moon landing with some tongue-in-cheek revisionism.
The New York Times – Film:
Chris Pine and Ben Foster team up to play mercenaries in a solid thriller about losing your faith and finding yourself in a violent reckoning.