The New York Times – Film:
For decades, filmmakers have been borrowing plot lines and metaphors from Homer’s epic for adventures set in different eras and realities.
Category: Nolan, Christopher
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Here’s What Greeks Think of Nolan’s ‘The Odyssey.’ (It’s Their Story, After All.)
The New York Times – Film:
Before its release, some in the country were highly skeptical about the new depiction of a beloved tale. But many who saw it over opening weekend came back with positive reviews.
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Cinephiles Took Their Own Odysseys to Watch ‘The Odyssey’
The New York Times – Film:
To see Christopher Nolan’s interpretation of an epic journey in his preferred IMAX 70mm format, admirers packed their bags and took out their passports.
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Nolan’s ‘The Odyssey’ Brings in $124.5 Million at the Box Office on Opening Weekend
The New York Times – Film:
Christopher Nolan’s nearly three-hour epic was No. 1 over the weekend, with about $124.5 million in ticket sales in the United States and Canada.
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What to Know Before Seeing ‘The Odyssey’: Plot, Characters and More
The New York Times – Film:
Christopher Nolan’s adaptation of Homer’s epic poem has monster battles, a sorceress and dozens of thirsty suitors. Here’s a primer.
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The Surprising Parallels Between ‘The Odyssey’ and ‘Oppenheimer’
The New York Times – Film:
Our movie critic Alissa Wilkinson describes how Christopher Nolan’s version of “The Odyssey” builds on key themes in his previous film “Oppenheimer.”
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5 New Movies Our Critics Are Talking About This Week
The New York Times – Film:
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
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Christopher Nolan on ‘The Odyssey’ and IMAX Technical Challenges
The New York Times – Film:
He and the cinematographer Hoyte van Hoytema combined new inventions (like fire-mimicking lights they developed) with century-old techniques.
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Wait, Moviegoing Isn’t Dead? Our Critic Explains.
The New York Times – Film:
The Times’s chief film critic, Manohla Dargis, discusses what is driving the youthquake in moviegoing, and what she thinks it portends for the film industry.