The New York Times – Music:
Ludwig Göransson’s soundtrack for Christopher Nolan’s film resurrects an ancient instrument, the aulos, to evoke the tormenting allure of the sirens.
The New York Times – Music:
Ludwig Göransson’s soundtrack for Christopher Nolan’s film resurrects an ancient instrument, the aulos, to evoke the tormenting allure of the sirens.
The New York Times – Film:
In very different films, the director’s penchant for playing with time is in service to a larger concern about human bonds across eras.
The New York Times – Film:
For decades, filmmakers have been borrowing plot lines and metaphors from Homer’s epic for adventures set in different eras and realities.
The New York Times – Film:
Before its release, some in the country were highly skeptical about the new depiction of a beloved tale. But many who saw it over opening weekend came back with positive reviews.
The New York Times – Film:
To see Christopher Nolan’s interpretation of an epic journey in his preferred IMAX 70mm format, admirers packed their bags and took out their passports.
The New York Times – Film:
Christopher Nolan’s nearly three-hour epic was No. 1 over the weekend, with about $124.5 million in ticket sales in the United States and Canada.
The New York Times – Film:
Christopher Nolan’s adaptation of Homer’s epic poem has monster battles, a sorceress and dozens of thirsty suitors. Here’s a primer.
The New York Times – Film:
Our movie critic Alissa Wilkinson describes how Christopher Nolan’s version of “The Odyssey” builds on key themes in his previous film “Oppenheimer.”
The New York Times – Film:
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.