The New York Times – Film:
He and the cinematographer Hoyte van Hoytema combined new inventions (like fire-mimicking lights they developed) with century-old techniques.
The New York Times – Film:
He and the cinematographer Hoyte van Hoytema combined new inventions (like fire-mimicking lights they developed) with century-old techniques.
The New York Times – Film:
The Times’s chief film critic, Manohla Dargis, discusses what is driving the youthquake in moviegoing, and what she thinks it portends for the film industry.
The New York Times – Film:
Few directors close the divide between the art film and the blockbuster like Christopher Nolan.
The New York Times – Film:
The ruins of a 2,400-year-old complex suggest that, to the Greeks of antiquity, Homer’s protagonist was not just a character in a poem but a figure of genuine devotion.
The New York Times – Film:
Filming entirely in IMAX meant new engineering and actor ingenuity. It was only halfway through the six-country shoot that he felt he could pull it off.
The New York Times – Film:
The star grew up on the director’s films and tried “to really compose myself” when he invited her to a meeting about a secret movie.
The New York Times – Film:
The star grew up on the director’s films and tried “to really compose myself” when he invited her to a meeting about a secret movie.
The New York Times – Film:
Nolan, who has been a member of the influential guild since 2001, has directed blockbuster hits like “Oppenheimer” and “The Dark Knight.”