The New York Times – Music:
Ms. Scotto, a leading Italian soprano, sang more than two dozen roles at the Metropolitan Opera and was a charismatic and demanding stage partner.
The New York Times – Music:
Ms. Scotto, a leading Italian soprano, sang more than two dozen roles at the Metropolitan Opera and was a charismatic and demanding stage partner.
The New York Times – Music:
No other festival matches the sheer profusion of classical music, opera and theater offerings at the Salzburg Festival.
The New York Times – Fashion & Style:
Time often plays a role in operatic plots, but this year several productions have timepieces onstage.
The New York Times – Music:
Among the company’s annual summer offerings, Monteverdi’s “L’Orfeo,” from 1607 but newly reorchestrated and imaginatively staged, stands out.
The New York Times – Music:
Seeking at least $360,000, the singer accused the storied opera house of discrimination, defamation and breach of contract. The company disputed her claims.
The New York Times – Music:
The countertenor and his husband, Scott Walters, each face a charge of aggravated sexual assault in Texas.
The New York Times – Music:
Anthony Braxton’s “Trillium X,” part of a sweeping cycle of operas that began in the 1980s, finally premiered in Prague.
The New York Times – Music:
At the festival that Wagner founded, a new “Parsifal” looks different depending on how you see it, and a workshop model refreshes revivals.
The New York Times – Music:
“Treemonisha” — brilliant, flawed and unfinished — is ripe for creative reimagining at a time when opera houses are looking to diversify the canon.