The New York Times – Music:
Toshi Reagon and Bernice Johnson Reagon adapted Butler’s dystopian “Parable of the Sower.” Their opera makes its New York debut at Lincoln Center’s Summer for the City.
The New York Times – Music:
Toshi Reagon and Bernice Johnson Reagon adapted Butler’s dystopian “Parable of the Sower.” Their opera makes its New York debut at Lincoln Center’s Summer for the City.
The New York Times – Music:
Not everything was an artistic or audience success at the 75th Aix-en-Provence Festival in France. But everything was worth discussing.
The New York Times – Music:
Two works at the Aix-en-Provence Festival, by two inventive partnerships in opera, use fables to explore grief and queer utopian dreams.
The New York Times – Music:
George Benjamin and Martin Crimp, who collaborated on modern successes including “Written on Skin,” return with the one-act “Picture a Day Like This.”
The New York Times – Music:
“I don’t want to exclude anything,” says the Czech conductor Jakub Hrusa, who plans to present Czech music alongside mainstream repertoire in London.
The New York Times – Music:
In a Verdi revival at the Royal Opera, two top female singers are discovering, and rediscovering, characters from a real-life royal love triangle.
The New York Times – Music:
Fans of music from centuries past will find a wide variety of experiences and collections. One even comes with a side of rock ’n’ roll.
The New York Times – Music:
Philip Venables and Ted Huffman’s latest work adapts a utopian, fantasy cult favorite by Larry Mitchell.