The New York Times – Music:
Considered the most exciting opera singer of her time, she thrilled audiences with her penchant for spectacle onstage and in her personal life.
The New York Times – Music:
Considered the most exciting opera singer of her time, she thrilled audiences with her penchant for spectacle onstage and in her personal life.
The New York Times – Music:
Michel van der Aa’s “Theory of Flames” originates from a question: “How can we relate to people if we don’t believe in the same reality?”
The New York Times – Music:
Yuval Sharon, known for his bold approach to opera, is making his Met debut with what he has called “the single hardest work” to stage.
The New York Times – Music:
Among the highlights are the world premiere of an adaptation of “Lincoln in the Bardo,” and classics like “Macbeth” and “Jenufa.”
The New York Times – Music:
One of the most esteemed singers of his era, he had a wide repertoire that included Mozart, Wagner and the title role in Messiaen’s epic “St. François d’Assise.”
The New York Times – Music:
Onstage, “Cats: The Jellicle Ball” and Adrien Brody in “The Fear of 13.” Plus: Cardi B goes on tour, Lise Davidsen takes on Isolde at the Met, 100 years of Martha Graham and more.
The New York Times – Music:
“Monster’s Paradise,” by Olga Neuwirth and Elfriede Jelinek, attempts an operatic response to current events and politics. Is that possible?
The New York Times – Music:
Highlights include the hall’s first “Ring,” cycles of sonatas by Beethoven and Mozart and a birthday celebration for Steve Reich.