The New York Times – Music:
Starting out in the 1970s as a rare woman in a field dominated by men, she directed the premieres of a pair of politically charged modern classics.
The New York Times – Music:
Starting out in the 1970s as a rare woman in a field dominated by men, she directed the premieres of a pair of politically charged modern classics.
The New York Times – Music:
Michael Gordon and Richard Foreman’s “What to Wear” at BAM is a visually rich, textually odd work — and a hot commodity.
The New York Times – Music:
Spring performances of “Treemonisha” and “The Crucible” will be held at George Washington University.
The New York Times – Music:
The composer Michael Gordon collaborated with Foreman on “What to Wear” in 2006. The opera makes its belated New York premiere at BAM on Thursday.
The New York Times – Music:
The opera, which has performed at the arts center since 1971, was concerned about declines in attendance and donations during President Trump’s second term.
The New York Times – Music:
He helped build the ad agency BBDO International into a powerhouse before channeling his passion for opera into managing the Met and revitalizing Lincoln Center.
The New York Times – Music:
Semyon Bychkov will be the musical director for a period when the opera’s performance spaces are under renovation. It’s a chance to add symphonic seasons like at La Scala.
The New York Times – Music:
Beth Morrison has shepherded dozens of new works into existence over the past 20 years. And her footprint continues to grow.