The New York Times – Music:
The Paris Opera production of “Ercole Amante” (“Hercules in Love”), a rediscovered 1707 work by the female composer Antonia Bembo, leans into contemporary themes of coercion and consent.
The New York Times – Music:
The Paris Opera production of “Ercole Amante” (“Hercules in Love”), a rediscovered 1707 work by the female composer Antonia Bembo, leans into contemporary themes of coercion and consent.
The New York Times – Music:
Vintage ball gowns, potbellied fat suits and diaphanous tunics were among the offerings when the Paris Opera held a public sale of opera and ballet costumes.
The New York Times – Music:
Semyon Bychkov will soon take up the most prestigious post of his long, varied career. Collaborating with Ralph Fiennes on “Eugene Onegin,” he gives a taste of things to come.
The New York Times – Music:
Semyon Bychkov will be the musical director for a period when the opera’s performance spaces are under renovation. It’s a chance to add symphonic seasons like at La Scala.
The New York Times – Music:
The singers did marvelous work at the Opéra Bastille in Paris, where the director Calixto Bieito’s new staging takes place in a hellish dystopia.
The New York Times – Music:
A youth orchestra program for musicians as young as 8 is part of Paris Opera’s effort to widen access to the art form and secure its future.
The New York Times – Music:
The choreographers Bobbi Jene Smith and Or Schraiber will put their own spin on “Satyagraha” by Philip Glass for its Paris Opera premiere.
The New York Times – Music:
The Royal Opera will revive “Les Vêpres Siciliennes,” a French work experts say has long been overshadowed by an Italian version Verdi did not produce.