The New York Times – Music:
It’s been 150 years since the Palais Garnier opera house opened in Paris. Today, it is still a working theater — with 172 performances scheduled for this season.
The New York Times – Music:
It’s been 150 years since the Palais Garnier opera house opened in Paris. Today, it is still a working theater — with 172 performances scheduled for this season.
The New York Times – Music:
As Adès premieres an orchestral work, “The Exterminating Angel” is receiving something rare in contemporary opera: a new production.
The New York Times – Music:
The conductor will depart in August, the opera house said, four years ahead of schedule and after just two seasons in the job.
The New York Times – Music:
Among our critic’s recommendations are multiple “Ring” cycles, a premiere by Ellen Reid and the soprano Lise Davidsen in Strauss’s “Salome.”
The New York Times – Music:
The superstar soprano discusses her debut in John Adams’s “Nixon in China” at the Paris Opera. For starters, she spends the second act with a dragon.
The New York Times – Music:
His skill in completing Alban Berg’s “Lulu” almost 40 years after Berg’s death was considered one of the greatest operatic achievements of the 20th century.
The New York Times – Music:
The architecture and location of the Palais Garnier are intertwined with the history of France and Paris (and a famous phantom).
The New York Times – Music:
Benjamin Britten’s “Peter Grimes,” directed by Deborah Warner in her Paris Opera debut, reintroduces a 20th-century composer to French audiences.
The New York Times – Fashion & Style:
Lots donated to the institution’s fund-raiser range from an Anselm Kiefer painting to a Chaumet diamond and pearl necklace.