The New York Times – Music:
One of Europe’s most influential free-jazz musicians, he played with “a kind of scream” to exorcise his demons, and those of German history.
The New York Times – Music:
One of Europe’s most influential free-jazz musicians, he played with “a kind of scream” to exorcise his demons, and those of German history.
The New York Times – Music:
He spent years playing with Art Blakey, Lee Morgan and Max Roach, earning praise for his sax’s piercing cry. He’s still composing and turning heads live.