The New York Times – Film:
The distinctive villain inspired performers across the globe almost instantly. No one’s waiting for Halloween.
The New York Times – Film:
The distinctive villain inspired performers across the globe almost instantly. No one’s waiting for Halloween.
The New York Times – Film:
Though the two leading men starred in only two films together, their collaborations led to a lifelong friendship that had its prickly moments.
The New York Times – Film:
His roles brought him to the screen as a Depression-era con man, a governor’s son and the journalist Bob Woodward. He also took to the director’s chair. Here are some of Redford’s career highlights.
The New York Times – Film:
By recreating a snippet of the number “Best of Wives and Best of Women,” these funny shorts serve as both tribute and critique.
The New York Times – Film:
For “Caught Stealing,” Darren Aronofsky needed a feline that could manage a New York City set and hit the necessary marks. Enter Tonic, a seasoned pro.
The New York Times – Film:
We rarely see rom-com heroines after the happy ending, much less watch them age. In this way, she’s become a barometer for how we talk about women.
The New York Times – Film:
Instead, these moments in “Anora,” “Babygirl,” “Challengers” and more involve complex power dynamics that speak volumes about their characters.
The New York Times – Film:
Films like “Blue Velvet” and “Mulholland Drive” aren’t always easy to explain, but they live on in your mind and burrow under your skin.
The New York Times – Film:
The writer and director of “The Invisible Man,” 21st-century style, is back with an interpretation of another Universal Pictures monster movie, “Wolf Man.”