The New York Times – Film:
Whether dressed in American flag shorts or dirty fatigues, the versatile actor, best known as Apollo Creed in the “Rocky” movies, always made an impression.
Author: Esther Zuckerman
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‘Godzilla Minus One’ Stomps Into ‘Oppenheimer’ Territory
The New York Times – Film:
Those movies, along with “The Boy and the Heron,” are essentially in conversation about the moral weight of American and Japanese actions in World War II.
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Norman Jewison Streaming Guide: ‘Fiddler on the Roof’ to ‘Moonstruck’
The New York Times – Film:
From “In the Heat of the Night” to “Fiddler on the Roof” and “Moonstruck,” the director always brought heart and humanity to his work.
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Lily Gladstone Becomes First Indigenous Person to Win a Golden Globe for Best Actress
The New York Times – Film:
The star of “Killers of the Flower Moon” plays an Osage woman whose husband is part of a murderous conspiracy.
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How Julianne Moore and Todd Haynes Reimagine the Housewife
The New York Times – Film:
Todd Haynes and Julianne Moore take one of the most overlooked characters in Hollywood and peel back the layers to expose lonely souls and monsters.
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Ava DuVernay and Other Directors Rethink Holocaust Films
The New York Times – Film:
Tragic tellings of the Shoah are all too common. The directors of “The Zone of Interest,” “Origin” and “Occupied City” refuse to let it live in the past.
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Can a Rom-Com Make Sense in Dark Times? Yes, When It’s From This Master.
The New York Times – Film:
Aki Kaurismaki’s “Fallen Leaves” is both magical and despairing, born of what the Finnish auteur’s stars say is an unusual shooting approach.
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For ‘Napoleon,’ Finishing the Hats
The New York Times – Film:
Inside the creation of one emperor’s famous headwear, as worn by Joaquin Phoenix in Ridley Scott’s film.
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Are ‘Elf’ and ‘Love Actually’ the Last Holiday Classics We’ll Ever Get?
The New York Times – Film:
The two comedies opened on the same date in 2003 and have stood the test of time. A changing Hollywood landscape might make another such day impossible.