The New York Times – Film:
This documentary looks at the offenses of the pornography industry through interviews with performers and activists.
Author: Natalia Winkelman
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‘The Forger’ Review: Hiding in Plain Sight
The New York Times – Film:
This German drama follows a young Jewish man in early 1940s Berlin who survives by falsifying passports and concealing his identity in public.
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‘The First Step’ Review: Van Jones Battles for Bipartisanship
The New York Times – Film:
This well-meaning documentary follows the liberal commentator as he works with both political parties to pass a criminal justice reform bill.
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‘Somebody I Used to Know’ Review: Reigniting Old Flames
The New York Times – Film:
In Dave Franco’s new comedy, Alison Brie plays a reality television showrunner attempting to break up her ex-boyfriend’s engagement.
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‘Huesera: The Bone Woman’ Review: What to Dread When You’re Expecting
The New York Times – Film:
In Michelle Garza Cervera’s terrifying and transfixing debut feature, a pregnant woman battles visions of a demoness who threatens her body and mind.
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‘Baby Ruby’ Review: Enfant Terrible
The New York Times – Film:
This psychological horror movie stars Noémie Merlant as a new mother experiencing delusions and paranoia.
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Mia Hansen-Love and the Hazy Line Where Real Life Ends and Art Begins
The New York Times – Film:
The French director translates her experiences into critically lauded dramas like “One Fine Morning,” about her father’s death and her own new love.
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‘The Mission’ Review: A Substantial Service Undertaking
The New York Times – Film:
Mormon teenagers travel to Finland for missionary service in this documentary that struggles to offer new insights.
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‘All Eyes Off Me’ Review: Scenes of Seduction
The New York Times – Film:
A series of sexual and social situations unspool in this portrait of Israeli youth culture.