The New York Times – Film:
Kaitlyn Dever plays Romeo’s snarky ex-lover in this Shakespeare reimagining, which crosses its source material with present-day sensibilities.
Author: Natalia Winkelman
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‘Significant Other’ Review: Backpacking Is a Trip
The New York Times – Film:
Jake Lacy and Maika Monroe play a camping couple in this slick thriller that uses its modest facade as a smoke screen.
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‘God’s Creatures’ Review: A Crisis of Conscience
The New York Times – Film:
Emily Watson is terrific at telegraphing how a mother’s love grinds against her moral code in this atmospheric seaside drama.
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‘Argentina, 1985’ Review: All the Prosecutor’s Men
The New York Times – Film:
Santiago Mitre’s impassioned dramatization of the Trial of the Juntas benefits from a gentle evocation of collective memory.
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‘Invisible Demons’ Review: Capturing an Air Quality Crisis
The New York Times – Film:
The filmmaker Rahul Jain assembles a series of devastating panoramas in this documentary about air and water pollution in New Delhi.
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‘End of the Road’ Review: Thrill Ride
The New York Times – Film:
Queen Latifah and Chris Bridges anchor a predictable thriller that also manages to spin a charming tale of family unity.
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‘Our American Family’ Review: How Addiction Affects the Household
The New York Times – Film:
In this intimate documentary, a Philadelphia family of six reels from a daughter’s recent overdose.
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‘The Invitation’ Review: Bringing Down the Haunted House
The New York Times – Film:
Nathalie Emmanuel stars as the unwitting belle of an English manor in this middling gothic horror movie that leaves her blind to the blood-red flags waving at every turn.
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‘Look Both Ways’ Review: To Be and Not to Be
The New York Times – Film:
This Netflix drama stages a delusion of young womanhood by tracking its heroine down forking paths: one in which she gets pregnant, and one in which she pursues a career.