Oussama Zahr – Page 4

Lise Davidsen Shows Her Vocal and Theatrical Power in Recital Debut

The New York Times – Music:

Davidsen, a true dramatic soprano, was the rare singer whose first New York recital came at the Metropolitan Opera House.

The New York Times – Music:

The Italian soprano’s dramatic acumen and hard-to-characterize voice brought a range of classic opera heroines vividly and emotionally to life.

The New York Times – Music:

Louis Langrée led a week of concerts to conclude his two-decade tenure with the Mostly Mozart Festival Orchestra.

The New York Times – Music:

At recent Mostly Mozart Festival Orchestra performances, visibly diverse crowds took in programming new to the ensemble.

The New York Times – Music:

Teatro Nuovo’s concerts of Donizetti’s “Poliuto” and the Ricci brothers’ “Crispino e la Comare” delight with historically informed singing.

The New York Times – Music:

After a triumphant house debut in 2019, the bass-baritone Tomasz Konieczny brought power and clarity to the title role in “The Flying Dutchman.”

The New York Times – Music:

Unveiling the trickery only enhances the delight of this interpretation of Mozart by the director Simon McBurney.

The New York Times – Music:

Without interplay from the musicians, Leonidas Kavakos found tension in his own playing in Shostakovich’s First Violin Concerto.

The New York Times – Music:

Over two nights at Carnegie Hall, the Boston Symphony Orchestra presented the New York premieres of works by Thierry Escaich and Thomas Adès.