The New York Times – Music:
The composer Shawn Okpebholo has created a song cycle that imagines the inner lives of fugitives from American slavery.
Author: Oussama Zahr
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Review: ‘The Magic Flute’ Directs Its Whimsy Toward the Younger Set
The New York Times – Music:
Julie Taymor’s version of Mozart’s opera, a fairy tale of puppets and plexiglass, achieves its finest form in the Met’s condensed version for families.
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Review: A Singer Brings Her Splendid Sound to an Eclectic Recital
The New York Times – Music:
The mezzo-soprano J’Nai Bridges performed at the 92nd Street Y, joined by the pianist Mark Markham and the Catalyst Quartet.
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Review: Davóne Tines Hones the Recital Form to a Fine Point
The New York Times – Music:
This bass-baritone made his Carnegie Hall debut with his carefully curated, personal “Recital No. 1: MASS.”
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Review: Gustavo Dudamel Comes to Town, Megawatt Appeal on Display
The New York Times – Music:
Dudamel led his Los Angeles Philharmonic in two concerts at Carnegie Hall that included a scorching New York premiere by Gabriela Ortiz.
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Review: ‘Tosca’ Returns, Defined by Its Quiet Moments
The New York Times – Music:
Aleksandra Kurzak, moving into heavier repertoire with Puccini’s opera, played the title diva as touchingly human.
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Review: The Philadelphia Orchestra Returns, With Force
The New York Times – Music:
Carnegie Hall’s season-opening gala featured the ensemble and its music director, Yannick Nézet-Séguin, in a program of heavy-handed light fare.