Oussama Zahr – Page 5

Review: A Tenor Arrives at the Met Opera in ‘Elisir’

The New York Times – Music:

The 27-year-old Xabier Anduaga debuted in the role of Nemorino in a revival of Donizetti’s romantic comedy.

The New York Times – Music:

With radical adaptations of Verdi’s “Macbeth” and Puccini’s “Tosca,” Heartbeat Opera shows why it’s so vital to New York’s music scene.

The New York Times – Music:

Alisa Weilerstein brought her new project, a mix tape of new works and movements from Bach’s cello suites, to Zankel Hall.

The New York Times – Music:

Often seen onstage as a star of bel canto opera, this tenor crafted a recital of works by Robert Owens, Margaret Bonds and their successors.

The New York Times – Music:

A festival responds to the assaults and insults of war by celebrating the composer who shaped the nation’s contemporary music, Borys Liatoshynsky.

The New York Times – Music:

A festival responds to the assaults and insults of war by celebrating the composer who shaped the nation’s contemporary music, Borys Liatoshynsky.

The New York Times – Music:

Michael Volle puts his noble voice to delightfully undignified use as the title character in Robert Carsen’s still fresh production of “Falstaff.”

The New York Times – Music:

Players from the ensemble came to New York to perform works by Bach, Telemann and Johann Gottlieb Janitsch at the 92nd Street Y, New York.

The New York Times – Music:

Bernard Labadie and the Orchestra of St. Luke’s returned to Carnegie Hall in a program that also included a Mozart piano concerto with Emanuel Ax.