The New York Times – Music:
The Mostly Mozart Festival Orchestra offered a series of breezy but focused programs at Lincoln Center, filled with treats big and small.
Author: Oussama Zahr
-
Review: ‘The Ordering of Moses’ Shines at Riverside Church
The New York Times – Music:
The Harlem Chamber Players presented R. Nathaniel Dett’s 1937 oratorio in honor of the centennial of the Harlem Renaissance, for the Juneteenth weekend.
-
Review: The Met Opera Orchestra Raises a Glorious Noise
The New York Times – Music:
The orchestra’s power in theatrical music was on display in two concerts at Carnegie Hall led by Yannick Nézet-Séguin.
-
Review: A Big Baritone Sound at Play in an Intimate Setting
The New York Times – Music:
Justin Austin’s program in the Board of Officers Room at the Armory included three cycles of Langston Hughes poems.
-
Review: Handel’s ‘Serse,’ With Yuks and Exquisite Playing
The New York Times – Music:
The English Concert’s performance at Carnegie Hall showed off the ensemble’s elastic responsiveness.
-
Review: ‘Falling Out of Time’ Gives Song to a Father’s Grief
The New York Times – Music:
Osvaldo Golijov’s evening-length work, based on the book by David Grossman about his son, had its New York premiere with the Silkroad Ensemble.
-
Review: Nico Muhly’s Moody Concerto for Two Pianos
The New York Times – Music:
In its American debut with the New York Philharmonic, “In Certain Circles,” featuring Katia and Marielle Labèque, had a freedom born from confidence.
-
Review: Joyce DiDonat’s ‘Eden’ Comes to Carnegie Hall
The New York Times – Music:
The star mezzo-soprano’s new concert program seeks to restore humanity’s connection to the natural world.