The New York Times – Music:
Romeo Castellucci’s production of Wagner’s “Ring” at La Monnaie embodies ideas that the Metropolitan Opera should take note of for its own staging.
The New York Times – Music:
Romeo Castellucci’s production of Wagner’s “Ring” at La Monnaie embodies ideas that the Metropolitan Opera should take note of for its own staging.
The New York Times – Music:
Zachary Woolfe, the classical music critic for The New York Times, shared how he endeavors to make his writing accessible to both neophytes and experts.
The New York Times – Music:
The company has withdrawn nearly $40 million in additional funds from its endowment to cover expenses, but sees signs it may be emerging from its post-pandemic woes.
The New York Times – Music:
Starring a magnetic Aigul Akhmetshina, Carrie Cracknell’s lethargic staging updates Bizet’s opera to present-day America.
The New York Times – Music:
The British director Carrie Cracknell’s production, opening on New Year’s Eve, resists the idea that the opera’s climactic scene is a crime of passion.
The New York Times – Music:
In her 23 years at the Met, she sang with the greatest stars of her day. She had a second career as a leading figure in the artistic life of Pittsburgh.
The New York Times – Music:
Anita Rachvelishvili, the once-blazing mezzo-soprano, has struggled with vocal problems since her pregnancy two years ago.
The New York Times – Music:
A revival of Wagner’s “Tannhäuser” was notable for the arrival of Christian Gerhaher. But with an abrupt protest, the performance took a turn.
The New York Times – Music:
Callas would have turned 100 on Dec. 2. She and her flash of a career remain beacons of artistic integrity and profundity.