The New York Times – Music:
The station, which had called the Met’s newer operas unsuitable because of their “difficult music” and “adult themes and harsh language,” reversed course.
The New York Times – Music:
The station, which had called the Met’s newer operas unsuitable because of their “difficult music” and “adult themes and harsh language,” reversed course.
The New York Times – Music:
Metropolitan Opera stars joined prisoners for a one-night-only performance of “Dead Man Walking.”
The New York Times – Music:
The company’s opening week included performances of “Nabucco” and the Requiem.
The New York Times – Music:
As part of its push to stage more contemporary works, the company has turned to one of the most widely produced operas of the 21st century.
The New York Times – Music:
Mariusz Trelinski returns to the Metropolitan Opera next year with a new staging of “La Forza del Destino,” which leans into psychoanalysis and fate.
The New York Times – Music:
SeokJong Baek began his opera career as a baritone. This season at the Metropolitan Opera, he’ll perform in “Nabucco” and “Turandot” as a tenor.
The New York Times – Music:
This death-row tale, adapted by Jake Heggie and Terrence McNally, opens the season of the Metropolitan Opera, as part of its push for newer works.
The New York Times – Music:
The Russian star soprano appeared in her first staged opera in Germany since the Ukraine invasion, still under fire for her past support for President Vladimir V. Putin.