The New York Times – Music:
The tenor sang the role of Ruggero in a revival of Puccini’s opera that was performed with such restraint, it verged on overly careful.
The New York Times – Music:
The tenor sang the role of Ruggero in a revival of Puccini’s opera that was performed with such restraint, it verged on overly careful.
The New York Times – Music:
Patrick Carfizzi, a vibrant performer in supporting roles, has grabbed attention in a new production of Verdi’s “La Forza del Destino.”
The New York Times – Music:
Oksana Lyniv, who is leading “Turandot” at the Metropolitan Opera, has used her platform to criticize Russia and promote Ukrainian culture.
The New York Times – Music:
The company put on a semi-staged version of Puccini’s “Turandot” at the last minute, after a backstage lift got jammed.
The New York Times – Music:
Jonathan Tetelman will sing in “La Rondine” and “Madama Butterfly” in New York. He trained as a baritone and worked as a D.J. before finding his “authentic voice” as a tenor.
The New York Times – Travel:
Patrick Milando, an accomplished French horn player, now splits his time between the orchestra pit and the cockpit, where he teaches budding pilots like he himself once was.
The New York Times – Music:
After the pandemic forced the cancellation of a tour planned for 2022, the ensemble will visit Japan, South Korea and Taiwan in June.
The New York Times – Music:
In a revival of Franco Zeffirelli’s lavish production, the conductor Oksana Lyniv led a performance that transcended the gilded stage dressing.