The New York Times – Fashion & Style:
The challenge for Montana Levi Blanco, the Tony-winning costume designer for John Adams’s oratorio, was how to keep straight so many Marys.
The New York Times – Fashion & Style:
The challenge for Montana Levi Blanco, the Tony-winning costume designer for John Adams’s oratorio, was how to keep straight so many Marys.
The New York Times – Music:
In an interview, Blain-Cruz explained why an oratorio like John Adams and Peter Sellars’s “El Niño” is more difficult to stage than the usual opera.
The New York Times – Music:
Davóne Tines, who stars in the oratorio “El Niño,” is challenging traditions in classical music and using art to confront social problems.
The New York Times – Music:
After making history as the Metropolitan Opera’s first work by a Black composer, Terence Blanchard’s “Fire” is back — with its showstopping step dance.
The New York Times – Music:
Tilman Michael, who leads the Frankfurt Opera’s chorus, will succeed the veteran conductor Donald Palumbo, who steps down this season after 17 years.
The New York Times – Music:
The tenor sang the role of Ruggero in a revival of Puccini’s opera that was performed with such restraint, it verged on overly careful.
The New York Times – Music:
Patrick Carfizzi, a vibrant performer in supporting roles, has grabbed attention in a new production of Verdi’s “La Forza del Destino.”
The New York Times – Music:
Oksana Lyniv, who is leading “Turandot” at the Metropolitan Opera, has used her platform to criticize Russia and promote Ukrainian culture.
The New York Times – Music:
The company put on a semi-staged version of Puccini’s “Turandot” at the last minute, after a backstage lift got jammed.