The New York Times – Music:
“Grounded,” a new work about the psychological toll of drone warfare, drew scrutiny after its presenter, Washington National Opera, advertised the support of a major military contractor.
Category: Metropolitan Opera
-
Putting the Brutality of a Prize Fight on the Met Opera Stage
The New York Times – Sports:
Terence Blanchard’s “Champion,” about the fighter Emile Griffith, is the rare opera to engage with sports. A boxing consultant helped keep it gritty.
-
The Maestro Wore Blue: Bringing Pizazz to the Pit at the Met
The New York Times – Music:
Yannick Nézet-Séguin, the Metropolitan Opera’s music director, wears custom-made outfits tailored to each production, challenging conservative norms.
-
Review: In ‘La Bohème’ at the Met, the Star Is in the Pit
The New York Times – Music:
Yannick Nézet-Séguin, the company’s music director, is conducting a beloved production of Puccini’s perennial classic for the first time.
-
What Angela Basset Wore to the Opera
The New York Times – Fashion & Style:
The best looks from the premiere of “Champion” at the Metropolitan Opera and the New Museum Spring Gala.
-
Review: A Tenor Arrives at the Met Opera in ‘Elisir’
The New York Times – Music:
The 27-year-old Xabier Anduaga debuted in the role of Nemorino in a revival of Donizetti’s romantic comedy.
-
The Met Is Planning a Big Bet on Contemporary Opera
The New York Times – Music:
Yannick Nézet-Séguin, the company’s music director, and Peter Gelb, its leader, discuss presenting 17 new and recent works over the next five seasons.
-
Review: ‘Champion,’ at the Met Opera, Spars With History
The New York Times – Music:
Terence Blanchard’s jazz-inflected work tells the real-life story of the boxer Emile Griffith, haunted by guilt when an opponent died after a fight.