The New York Times – Music:
It’s not stage-filling spectacle, but Barrie Kosky’s version of Wagner’s “Das Rheingold,” the start of a four-opera epic, is eerie, vivid and intense.
The New York Times – Music:
The work, by the Ukrainian composer Maxim Kolomiiets and the American playwright George Brant, is inspired by the accounts of mothers whose children were taken during the war.
The New York Times – Music:
Long a rising star, she is getting a new Metropolitan Opera production built around her, and it’s the house’s first Spanish-language show.
The New York Times – Music:
The Italian soprano’s dramatic acumen and hard-to-characterize voice brought a range of classic opera heroines vividly and emotionally to life.
The New York Times – Music:
Ms. Scotto, a leading Italian soprano, sang more than two dozen roles at the Metropolitan Opera and was a charismatic and demanding stage partner.
The New York Times – Music:
The organization, founded in 1935 to support the opera house, will lay off 20 employees and stop publishing Opera News as a stand-alone monthly magazine.
The New York Times – Music:
Seeking at least $360,000, the singer accused the storied opera house of discrimination, defamation and breach of contract. The company disputed her claims.
The New York Times – Music:
Claus Guth’s entertaining and often sexy new staging of Handel’s opera-oratorio hybrid in Munich is a coproduction with the Metropolitan Opera.