The New York Times – Music:
The Met Orchestra’s season-ending concert at Carnegie Hall featured the premiere of Matthew Aucoin’s “Heath (‘King Lear’ Sketches).”
The New York Times – Music:
The Met Orchestra’s season-ending concert at Carnegie Hall featured the premiere of Matthew Aucoin’s “Heath (‘King Lear’ Sketches).”
The New York Times – Music:
As the 2022-23 season ends, the country’s largest performing arts institution looks ahead to a future of fewer titles.
The New York Times – Music:
She brought new colors to modernist music, sometimes using electronics, and became the first female living composer to have two operas staged by the Met.
The New York Times – Music:
After a triumphant house debut in 2019, the bass-baritone Tomasz Konieczny brought power and clarity to the title role in “The Flying Dutchman.”
The New York Times – Music:
Unveiling the trickery only enhances the delight of this interpretation of Mozart by the director Simon McBurney.
The New York Times – Music:
The director Simon McBurney creates a magical sound world in his theatrical production of Mozart’s classic at the Metropolitan Opera.
The New York Times – Music:
A flamboyant mezzo-soprano (who could also sing meaty soprano roles), she overcame racial prejudice to become one of opera’s first, and biggest, Black stars.
The New York Times – Music:
An excellent cast brings heat to Ivo van Hove’s austere, agile staging of Mozart’s classic, starring Peter Mattei and conducted by Nathalie Stutzmann.