The New York Times – Music:
With “The Amazing Adventures of Kavalier & Clay,” Mason Bates, a.k.a. DJ Masonic, expands the sound world of the Metropolitan Opera.
The New York Times – Music:
The Royal Opera will revive “Les Vêpres Siciliennes,” a French work experts say has long been overshadowed by an Italian version Verdi did not produce.
The New York Times – Music:
The Met, which has withdrawn $120 million from its endowment since the pandemic, reached a lucrative deal to perform in Saudi Arabia for three weeks each winter.
The New York Times – Music:
Known for his liquid bass tones and flawless diction, he appeared in 88 roles, many of them comic, over 1,672 performances at the Metropolitan Opera.
The New York Times – Music:
The Russian singer, shunned over her past support of Vladimir V. Putin, made her first American appearance since 2019 at a gala for Palm Beach Opera.
The New York Times – Music:
Once used to frequent rejection letters, Blue has become a regular on major stages and is singing the title role in “Aida” at the Metropolitan Opera.
The New York Times – Music:
A prominent practitioner of the historically grand productions that were once fashionable at the Met, he was especially well known for his stagings of Wagner.
The New York Times – Music:
The bass-baritone Bryn Terfel returned to the Met for the first time in 13 years, alongside Sondra Radvanovsky, one of the great Toscas of our time.
The New York Times – Music:
Renée Fleming, Kelli O’Hara and Joyce DiDonato reprised their roles in Kevin Puts’s adaptation of the award-winning novel and film.