The New York Times – Music:
Once used to frequent rejection letters, Blue has become a regular on major stages and is singing the title role in “Aida” at the Metropolitan Opera.
The New York Times – Music:
Once used to frequent rejection letters, Blue has become a regular on major stages and is singing the title role in “Aida” at the Metropolitan Opera.
The New York Times – Music:
A prominent practitioner of the historically grand productions that were once fashionable at the Met, he was especially well known for his stagings of Wagner.
The New York Times – Music:
The bass-baritone Bryn Terfel returned to the Met for the first time in 13 years, alongside Sondra Radvanovsky, one of the great Toscas of our time.
The New York Times – Music:
Renée Fleming, Kelli O’Hara and Joyce DiDonato reprised their roles in Kevin Puts’s adaptation of the award-winning novel and film.
The New York Times – Music:
Alsop has had enviable success, and was the first female conductor to lead a top American orchestra. She wants to take another step up.
The New York Times – Music:
O’Hara is an unusual kind of triple threat: a star of Broadway and television who is appearing at the Metropolitan Opera in a revival of “The Hours.”
The New York Times – Music:
Asmik Grigorian, a star singer abroad, made her Metropolitan Opera debut by lending lyricism, complexity and spontaneity to a classic role.
The New York Times – Music:
The opera-oratorio, an alternate Nativity story, featured a flurry of Met debuts, including the director Lileana Blain-Cruz and the conductor Marin Alsop.
The New York Times – Fashion & Style:
The challenge for Montana Levi Blanco, the Tony-winning costume designer for John Adams’s oratorio, was how to keep straight so many Marys.