The New York Times – Music:
The superstar soprano discusses her debut in John Adams’s “Nixon in China” at the Paris Opera. For starters, she spends the second act with a dragon.
The New York Times – Music:
The superstar soprano discusses her debut in John Adams’s “Nixon in China” at the Paris Opera. For starters, she spends the second act with a dragon.
The New York Times – Music:
A noted Violetta in Verdi’s “La Traviata,” she had an equally noted second act as a singing teacher when her performing career ended.
The New York Times – Music:
Young music theater makers are benefiting from the continent’s huge operatic resources while developing their own distinctive voices.
The New York Times – Music:
His opera sat unproduced for decades. Then a piece of it garnered one of the field’s top prizes. Then it sat some more.
The New York Times – Music:
Piotr Beczala, known as a charismatic singer of Italian operas, is challenging notions of what a Wagner voice should sound like.
The New York Times – Music:
Michael Volle puts his noble voice to delightfully undignified use as the title character in Robert Carsen’s still fresh production of “Falstaff.”
The New York Times – Music:
In “Solomon,” performed elegantly at Carnegie Hall by the English Concert and Clarion Choir under Harry Bicket, the chorus is the star.
The New York Times – Music:
After Russia’s invasion of Ukraine, this opera adaptation of Tolstoy seemed unperformable. But in Munich, it has become an urgent antiwar cry.