The New York Times – Music:
The tech-forward composer Tod Machover has made a chamber opera of Richard Powers’s novel “The Overstory,” featuring Joyce DiDonato.
The New York Times – Music:
The tech-forward composer Tod Machover has made a chamber opera of Richard Powers’s novel “The Overstory,” featuring Joyce DiDonato.
The New York Times – Music:
The tech-forward composer Tod Machover has made a chamber opera of Richard Powers’s novel “The Overstory,” featuring Joyce DiDonato.
The New York Times – Music:
Sonya Yoncheva doesn’t fill out the long lines of “Norma” at the Met, while Angel Blue is a warm, sincere Violetta in “La Traviata.”
The New York Times – Music:
The tenor Piotr Beczala sings with uncanny serenity and command in the title role of Wagner’s opera, directed by François Girard with little subtlety.
The New York Times – Music:
François Girard’s staging, originally a co-production with the Bolshoi Theater, arrives a year after its Moscow premiere, which coincided with Russia’s invasion of Ukraine.
The New York Times – Music:
With contemporary music dominating new productions and returning in some revivals, the Met is entering a new era of programming.
The New York Times – Music:
“Life of Pi” and Laura Linney on Broadway, Lise Davidsen at the Met Opera, SZA on tour: Here’s what we’re looking forward to this season.
The New York Times – Music:
This spring, Gustavo Dudamel, the Philharmonic’s next music director, conducts the big deal symphony, the Met Opera stages Terence Blanchard’s “Champion”; and in Chicago, Riccardo Muti says farewell.