The New York Times – Music:
Kate Soper’s “The Romance of the Rose,” which had its long-delayed premiere at Long Beach Opera, showcases her signature quick-shifting eclecticism.
The New York Times – Music:
Kate Soper’s “The Romance of the Rose,” which had its long-delayed premiere at Long Beach Opera, showcases her signature quick-shifting eclecticism.
The New York Times – Music:
Kate Soper’s “The Romance of the Rose” was mere weeks away from its premiere when it was canceled. Now, it has a home at Long Beach Opera.
The New York Times – Music:
“Russia: Today,” a piece by the composer Eugene Birman, is based on hundreds of interviews with hundreds of Russians, in which they share their private feelings about the country.
The New York Times – Music:
Robert Wilson’s staging of Wagner’s “Lohengrin” opened to a wall of boos in 1998. But it brought new theatrical possibilities to the Met.
The New York Times – Music:
In some cases, the inflammatory, Nazi-associated term has been changed out of sensitivity. What do we lose when that happens?
The New York Times – Music:
He left his mark in Hamburg, Berlin, Salzburg and elsewhere. He also directed a memorable “Ring” cycle in Bayreuth.
The New York Times – Music:
Hits from Renée Fleming’s career at the Metropolitan Opera, an unlikely Mozart and Beethoven recording and Florence Price are among the highlights.